Gastón Arevalo: trying to reach the end of the chain
Gastón Arévalo(born March 17, 1981) is a Uruguayan electronic artist who has performed in various international festivals and events. His music is a combination of ambient textures and organic rhythms, noises, and sounds, mixing electric-acoustic collages and visual landscapes. He has an aesthetic interest in nature as fundamental influence in his sound. He works with visual pieces that incorporate in his live presentations, experimenting in live cinema and visual code. In 2007 he released an ambient techo work called “Ultramar” on Thinner label, well known on the netaudio scene for his releases from artists like Vladislav Delay. He showed live his work at places like De Unie Theater, Rotterdam at 2008. At 2011 he compose a work called “Deriva” based on the tales written by Horacio Quiroga. This work is released at limited edition tape format. He shares line-ups with artists like Biosphere, Sun Ra Orchestra, Minilogue and many others. He also composed the soundtrack for a short film edited on the collection “La faute à Rousseau” realized as tribute to the birth aniversary of Jean Jacques Rousseau.
How did you get in touch with music?
>I think my influences come at two fronts from my childhood: tapes, vinyls and industrial machines.<
What would you do if there wouldn’t be music, starting with tomorrow?
>good question<
…and what if you had to produce in a different music genre? What would that be?
>in fact, i think that on my works I make an abstraction of various genres on an implicit way<
What’s your (original) profession?
>web designer, creative coder, philosophy student.<
What turns you on creatively, spiritually or emotionally?
>places, landscapes, moments<
What’s your next plan music-wise?
>Well, my second cassette was recently released, I have plans to continue releasing on physical format, and actually a very nice ambient album on CD format is scheduled for early next year. I think physical releases look more like a piece of art, something that you can touch and put on a rack at home. On the other side I would like to keep and increase my European tours every year.<
Who would you like to collaborate with the most and why?
>I never thought about this carefully, but thinking aloud I could say: native people, some jazz player, as some of things that come to mind.<
Is there a band/music genre you can’t stand listening to?
>I could say that my preferences try to escape the obvious and predictable music.<
Is there some music you like – but ashamed to admit it?
>I don’t think so.<
The beauty of silence or the chaos of noises?
>The perfect combination of both.<
What’s your favourite album ever?
>Could be unfair choosing one, but I have been loving for a long time the album “Because Before” by Ulf Lohmann.<
…and your favourite album cover?
>Same thing, but I could say: Brian Eno – Ambient 4: On Land<
If you could be a rock star, who would you be?
>I imagine something on the shoegaze side I think.<
Do you have a role model?
>No.<
Who would you like to meet the most?
>Need a time machine or something like that.<
What are your favourite movies?
>Gerry by Gus Van Sant, 2001 by Kubrick , Dream by Kim Ki-duk. Nymph by Pen-Ek Ratanrunag. The Great Ecstasy of Woodcarver Steiner by Werner Herzog. I also like Aki Kaurismaki movies.<
If you had to direct your own movie, how would it look like?
>One without words or dialogs. I’ve been experimenting to watch movies replacing the original audio for a particular audio soundtrack as background.<
Which language would you like to speak most and why?
>Just now I like how French or German sounds. But any dialect that works as gateway to understand a culture or system (code).<
How would you describe yourself in 5 words?
>Instrospective, fragile, persistent, particular (could be 4?)<
What are your vices?
>Research on inspirative art, discover new music labels, try to reach the end of the chain.<
What are your vices?
>Research on inspirative art, discover new music labels, try to reach the end of the chain.<
What is the most unusual comment anyone has ever made about you?
>Would be found on my memory<
The best moment in your life?
>Not happened yet.<
What does beauty mean to you?
>Originality, the real thing without make-ups. El gesto y la impronta natural.<
What would you do today if the world would end tomorrow?
>Just wait, think over and reflect.<
Which places you love the most?
>I like to contemplate landscapes and discover cities by myself, getting lost and remembering paths.<
What’s your favourite food?
>Anything cooked by my grandma, natural food, pasta.<
What’s your favourite flavour?
>”Dulce de leche” (typical from my land).<
Three things you could never get rid of?
>my thoughts, my dreams, myself<
Your three favourite websites?
>http://www.wikipedia.org/, http://www.hardformat.org/, http://www.garevalo.info. But as i don’t have TV i use YouTube a lot.<
What’s your favourite picture about yourself?
What’s your most favourite picture you made?
>It is somewhere in my mind…<
What is the question you always would have liked to be asked but nobody ever did?
>Don’t know really, maybe could come unannounced some day.<
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Stendeck: the enigmatic worker in the factory
Based in Lugano, Switzerland, Stendeck is an electronic music act fronted by Alessandro Zampieri (born June 14, 1977), and is heavily associated with the industrial music scene.
Zampieri is a classically trained pianist, forming Stendeck in 1999 as part of a growing interest in electronic music. In 2002 he made his first demo album, A crash into another world, which was very well received in his native Switzerland. Stendeck’s current sound, marked by ambience, distorted beats and noisy keys with acoustic instruments was developed while working on his 2005 album Can you hear my call?. It was released by Geska Records and was mastered by Mike Wells of Gridlock. After the release of Faces in 2007, also on Geska Records, Stendeck switched to Tympanik Audio for his next album, Sonnambula (2009). His latest album Scintilla, was released this year on Tympanik Audio.
The name Stendeck is a variation of “stendec”, the final strange Morse code radio message sent by the plane Star Dust on August 2, 1947, before its disappearance.
- How did you get in touch with music?
>I started playing music when I was 7 years old, playing piano… then, thanks to my bro I discovered a lot of underground music that influenced my “career” and when I was 15 years old I started playing my own music…< - What would you do if there wouldn’t be music, starting with tomorrow?
>So, is it true that in 2011 there is the end of the world???< - …and what if you had to produce in a different music genre? What would that be?
>I listen to a lot of rock, metal and classical music… if I will have the time I would like to produce some energetic music with friends + I have in mind since several years a very experimental album…< - What’s your (original) profession?
>I’m working in a foggy factory, I produce a lot of different things and in different shapes, but unfortunately everything is top secret, so I can’t tell you more!< - What turns you on creatively, spiritually or emotionally?
>Everything that is around me, my experiences, my everyday life…< - Your tracks’ titles express really deep feelings, where does all this emotional profoundness come from?
>The titles are written by my brother Andrea, he knows me very well and he is able to translate my feelings from my music… He did an amazing work!< - Someone said that your music is the best example how proper electronic music should sound. What do you think about this?
>I produce my music in a very spontaneous way… I have in my mind the sound, the atmosphere I’m looking for and I try to manipulate the sound until I find the right “emotion”… I’m happy that a lot of my listeners feel my feelings!!!< - What’s your next plan music-wise?
>I’m working on some remixes and trying to book more dates to play live… but is **cking hard!< - Who would you like to collaborate with the most and why?
>Currently I would like to collaborate with Karin Dreijer Andersson, I like a lot her voice and music…< - Who would you like to collaborate with from Switzerland?
>…maybe the Young Gods and with some friends…< - Which one do you like better: producing or playing music?
>Both, they are different feelings and sometimes I prefer to produce and sometimes to play… it depends on my mood…< - What is your most cathartic experience while playing live?
>It is very difficult to say, it is something special and different every time… I like a lot to be on the stage…< - Is there a band/music genre you can’t stand listening to?
>No, I like a lot of music and a lot of bands, I’m not addicted to one in particular. Music is music. I love music, but sometimes, when by mistake I switch on the radio or on MTV, and I listen to the crap they are playing, I think that nowadays mainstream music is really bad. You feel the emptiness there is around, no feeling, just the sound of money!!< - Is there some music you like – but ashamed to admit it?
>I don’t have problem to say that I like some very commercial songs, when I think that are very well produced. And it is not easy to produce these kind of songs.< - The beauty of silence or the chaos of noises?
>Both, it always depends on my mood, eheh< - What’s your favourite album ever?
>I have more than one:
- Formless by Gridlock
- Up Evil and Off by Front 242
- Dead Cities by FSOL
- A day in the stark corner by Lycia
- Angel Dust by Faith no More
- Violator by DM
- () by Sigur Ros
- A fine day to Exit by Anathema
- Necroticism by Carcass
and many more…< - …and your favourite album cover?
>Neurosis, Live at Roadburn 2007<
- If you could be a rock star, who would you be?
>No one in particular…< - Do you have a role model?
>No. Maybe my parents did a good job, so I don’t need one!< - Who would you like to meet the most?
>My fans.< - What are your favourite movies?
>Blade Runner, The Prestige, Apocalypse Now, Martyrs, Donnie Darko, The Thin Red Line, Black Swan, Eternal Sunshine of the Spotless Mind, and many more…< - If you had to direct your own movie, how would it look like?
>Sick, evil and at the end…a romantic end!< - Which language would you like to speak most and why?
>I never thought about this…< - How would you describe yourself in 5 words?
>Enigmatic, Determined, Fidget, Good and Evil…< - What are your vices?
>Drinking, eating and many more…< - What is the most unusual comment anyone has ever made about you?
>Where is the singer?< - What does beauty mean to you?
>It is a translation of something you are looking for or listening to, and gives you a special, beautiful feeling.< - What would you do today if the world would end tomorrow?
>I would compose my last song and look at the world’s end until my last second…< - Which places you love the most?
>The sea and the mountains…< - What’s your favourite flavour?
>I love the Mediterranean flavours.< - Three things you could never get rid of?
>My piano, my Waldorf Q and a case of beer, eheh.< - Your three favourite websites?
>I don’t have a favourite website…< - What’s your favourite picture about yourself? (click on the image for larger size)
>I like a lot this one from my show in Rostov, Russia… it looks like I’m an alien…<
- What’s your most favourite picture you made? (click on the image for larger size)
>This one I did a few years ago in Sorrento, Italy…<
- What is the question you always would have liked to be asked but nobody ever did?
>Do you wanna make a tour worldwide? ;-)<
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Dirk Serries has never shied away from leaps of faith. A decade ago, he stunned the ambient scene with an incisive twist to his personal style on the classic the river of appearance” and in 2005, he shed the renowned moniker of Vidna Obmana, replacing it with the immersive guitar eruptions of his latest incarnation Fear Falls Burning. On microphonics, he has now taken his boldest step yet. Defying superimposed concepts and pseudonyms, he returns with the first material under his own name and at his most personal and vulnerable. For years, Serries has experimented with spontaneous guitar improvisations over a continuous atmospheric drone. initially intended as a means of rehearsing and developing ideas, these sessions were never intended to be released officially. Over time, however, Serries came to realize that these painstakingly pristine and painfully pure pieces constituted the very essence of his musicality, the foundation of what makes him “tick” as an artist. Composed of a minimal array of delicately attuned and interrelated themes, the music develops through the continuously shifting relations of its constituent currents. because of this outward simplicity, microphonics has turned out a work of great intimacy and immediacy, a yearning sonic breath which seamlessly fuses the elliptic ambient worlds of vidnaObmana with the dark mysticism of fear falls burning: this latest leap of faith is the sound of the morning awakening, of the day dreaming and the night speaking in its sleep.
- How did you get in touch with music?
>Can’t recall really, I just remember that I started out with spinning soundtrack albums backwards or making lockgrooves with my turntable.< - What would you do if there wouldn’t be music, starting with tomorrow?
>A label or if music isn’t allowed, photography for sure.< - …and what if you had to produce in a different music genre? What would that be?
>If I would have the skills, classical music I guess.< - What’s your (original) profession?
>Accountant< - What turns you on creatively, spiritually or emotionally?
>Silence and desolation< - What’s your next plan music-wise?
>Recording the long-awaited 2nd Microphonics studio album.< - Who would you like to collaborate with the most and why?
>Unfortunately not possible : John Coltrane for his wilful, uncompromised vision, The Necks for their highly original take on minimal jazz or Elbow for their ability to write just beautiful songs.< - Is there a band/music genre you can’t stand listening to?
>House< - Is there some music you like – but ashamed to admit it?
>Nope, I proud to say I love Neil Diamond.< - The beauty of silence or the chaos of noises?
>Without a doubt, the beauty of silence< - What’s your favourite album ever?
>A tie : Arvo Pärt – Tabula Rasa and Eno & Fripp – No Pussyfooting< - …and your favourite album cover?
>Theo Travis – Slow Life (2LP on Tonefloat)<
If you could be a rock star, who would you be?
>Nobody, I guess. Really.<- Do you have a role model?
>Not specifically but I draw now & then inspiration from Goethe, Nietzsche and Dante.< - Who would you like to meet the most?
>Generally for sure Clint Eastwood because of his incredible pace in life and his professionalism in making classic, pure and straightforward movies (especially the last years) and musically most likely Neil Young or Arvo Pärt.< - What are your favourite movies?
>The Elephant Man, One Flew Over The Cuckoo’s Nest, Unforgiven, Mystic River, 21 grams, Into the wild, Caché, Revolutionary Road, Gran Torino, Eternal Sunshine Of A Spotless Mind, Shutter Island, The Machinist, Scanners, Videodrome, A Serious Man, Manhattan and others I just forget right now.< - If you had to direct your own movie, how would it look like?
>I’m afraid it would be a very minimal, silent and slow movie, dealing rise and fall of us human beings.< - Which language would you like to speak most and why?
>English, it just fits the way my mind thinks and operates.< - How would you describe yourself in 5 words?
>Control freak, perfectionist, obsessed, fanatic but friendly.< - What are your vices?
>Perfectionism, wine, pedal effects, belgian fries and Neil Diamond.< - What is the most unusual comment anyone has ever made about you?
>That I’m Richard Wagner of the Ambient.< - The best moment in your life?
>Meeting my wife Martina, finding the pace in my creativity with Microphonics and finally after all these years getting to know Tonefloat, the perfect home for my music and hopefully for a long time.< - What does beauty mean to you?
>Silence, purity, honesty, respect, minimalism.< - What would you do today if the world would end tomorrow?
>Isolate ourselves at home and listen to some music.< - Which places you love the most?
>New York, home and the creative side of my mind.< - What’s your favourite food?
>I guess that’s sushi.< - What’s your favourite flavour?
>Dior’s Homme Intense< - Three things you could never get rid of?
>Just one : My 1976 Gibson Les Paul Custom Black Beauty.< - Your three favourite websites?
>Everything about Robert Fripp’s frippertronics : http://home.cogeco.ca/~frippertronics/Frippertronics.htm
The ultimate music encyclopedia : http://www.discogs.com
Just one of the best written music webzines and the only one that combines experimental with classical : http://www.tokafi.com/< - What’s your favourite picture about yourself? (click on the image for larger size)
>I never really liked being in the front of the camera but sometimes you do need to compromise in order to meet the promotional expectations of labels and magazines. I think this one, taken at the St.Theobaldus chapel in 2001 by my wife Martina Verhoeven is one of the few favorites.<
- What’s your most favourite picture you made? (click on the image for larger size)
>Although I did quite a large collection of photography myself during the early years of vidnaObmana, including the cover photography for Passage In Beauty (one I’m really proud of), it’s not that’s currently part of my state of mind. Therefor I selected one of my all-time faves, for sure, taken by Martina Verhoeven in the Microphonics series.<
- What is the question you always would have liked to be asked but nobody ever did?
>Which labels ripped me off ?<
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exh:b:t:on of words and sounds 